Vulpes Libris

A collective of bibliophiles talking about books. Book Fox (vulpes libris): small bibliovorous mammal of overactive imagination and uncommonly large bookshop expenses. Habitat: anywhere the rustle of pages can be heard.

Vulpine Favourites and More: Short Stories

For this round-up of favourite short stories and story collections, I had a rather hard time getting recommendations from my vulpine fellows; many of them pleaded ignorance of the genre, and it is interesting that short stories are often seen to have a specialist readership as much as specialised authors. (Of our resident short story experts, Trilby will be writing about her favourites on Friday; and Kirsty will cover her choice, Gogol, later on in the Russian Series.) It then occurred to me to ask recommendations from some of our favourite book bloggers and other friends – and I’m glad I did, as the result is an interesting variety of short stories in all shapes and sizes (and genres)!


JACKIE: Since I couldn’t decide between Saki’s ‘The Interlopers’ or Jack London’s ‘To Build a Fire’, I decided to do both. They both have the same sort of setting– apparently winter wilderness really clinches it for me. I first read each as a teenager and still recall the impact they had on me then and they continue to impress me as an adult.

‘The Interlopers’ is about two men hunting in an European forest, the ownership of which has been disputed for generations. They become separated from their companions and as they confront each other, the winter wind topples a tree, trapping them both under it. What happens as they wait for rescue and the surprising outcome is what makes this story memorable.

‘To Build a Fire’ is the account of a nameless man, traveling alone except for a husky, through the Yukon to a camp miles away. Inadequately prepared for the -65 degrees weather, he falls through the ice on a frozen stream, soaking his legs. He builds a fire under a spruce tree to dry out and when snow falls from the branches and smothers his campfire, he tries to build a new one as he slowly grows colder. London’s story is over twice as long and more detailed, to show each step on the man’s path to self destruction. It’s a simple concept for a story, but the telling of it is masterful. The only thing that’s annoying is London’s usual penchant for having the dog think primal thoughts while staring into the fire, much like a soap opera character.

The important factor in both these stories is how Nature is stronger than humans, no matter how macho the man or how fierce his anger, it’s all quite trivial in the face of the Nature on an ordinary day. It’s a reminder that we are not, after all, the rulers of this world.

SIMON of Stuck In A Book: I was equally blessed and cursed by my first foray into the world of short stories, in that I started with the best. Katherine Mansfield is unquestionably the best short story writer I’ve read (no, I haven’t read Chekhov; yes, I have read Joyce) – and ‘The Garden Party’ (1922) is my favourite individual story, as well as the title of my favourite collection.

‘And after all the weather was ideal.’ – the opening line of ‘The Garden Party’, and we are flung, albeit gently, into the superficially important concerns of the Sheridan family. Laura is trying to help organise a garden party, with such crucial concerns as which hat to wear, and where to have the marquee placed. But: ‘Something had happened’. A very private tragedy strikes one of the little cottages in the lane near Laura’s house – and thus conflict interrupts the cosy domesticity to which Laura is accustomed. Continuing the party seems unspeakably heartless to Laura; for her mother, however; ‘People like that don’t expect sacrifices from us. And it’s not very sympathetic to spoil everybody’s enjoyment as you’re doing now’. And so Laura visits the afflicted family herself.

Though the class issues about which Mansfield writes may have abated, her portraits of humanity and emotion have not dated a day. Each of her stories is profoundly affecting, and ‘The Garden Party’ provides the little bit (two inches wide) of ivory, which would be an ideal starting point for any Mansfield virgin.

KIRSTY of Other Stories: I recently had the very great pleasure of reading Clare Wigfall’s debut short story collection The Loudest Sound and Nothing. It really was terrific: rarely have I read a collection that spans such a broad range of ages, countries, or dialects, and I think it says much about the skill of Wigfall as a writer that she is equally adept at writing in the vernacular of a remote Scottish island and she is in the Southern US states.

The stand-out story for me was ‘The Parrot Jungle’, which follows a man as he drives across America, picking up a confirmed hippy and her son along the way. Also look out for ‘Night After Night’, which describes the fall-out of a man’s arrest from the perspective of his wife, who didn’t suspect he’d done anything wrong, and ‘On Pale Green Walls’, in which a young girl is scared that the Virgin Mary doesn’t love her as much as she loves Jesus. Also in this collection is ‘The Numbers’, which recently won Clare Wigfall the BBC Short Story Competition – and deservedly so. It sounds like hyperbole, but I truly mean this: The Loudest Sound and Nothing is one of the best short story collection I have ever read.

STEWART of booklit: Collections of short stories are something I tend to buy more than read. They may fill those short gaps where a novel is too much, but I often find myself sitting there wondering what was that all about. Some can be too subtle for their own good, and therefore short stories don’t do much for me. But a recent collection I read, Yoko Ogawa’s The Diving Pool, still lingers in my thoughts, its subtleties playing over and over as my subconscious considers the depths only hinted at on the surface. Ogawa, you see, is expert in making so little mean so much, and Steven Snyder’s translation from the Japanese is sharp in delivering a sense of menace to the most everyday of things. The stories in The Diving Pool, Ogawa’s first appearance in English, are more novellas in length (there are only three), but in each, notably the title story, with her detached female narrators, she maintains a thematic harmony exploring fertility, obsession, and motherhood in a spare and detached, haunting style that, layered with intriguing symbols, makes you read between the lines, and when you close the book, it leaves, gently lapping in its aftermath, ripples unexpected but welcome.

CLAUDIA NEHM, author of Die wundersame Wandlung des Dr. Felix Tabeks: One of the reasons for reading a short story is the (banal) reason, that it is short. Hemingways ‘A Very Short Story’ is very short. You don’t need much time for it. You can read it in a couple of minutes and yet dive deep into a world of war, wounds and first love. In this sense it is a long story, the story of Hemingways own disappointed love affair with an Italian nurse in World War I.

The narrator falls in love with a nurse called Luz during his stay in a war hospital. When he returns to the States in order to arrange everything for the wedding, Luz gets involved with an Italian major. This love affair makes her realize that the first one has just been a boy and girl love.

Hemingways typical style of short simple sentences and explaining a situation in one or two sentences is brilliantly used in this story. It is a minimal language where every word is perfectly put and prepares you for what is going to be the end of this story. A very sad story.

In case you liked what you have read and have more time than a couple of minutes, you can explore the same story in a full length novel A Farewell to Arms.

VANESSA GEBBIE, author of Words from a Glass Bubble: There Are Little Kingdoms by Kevin Barry (Stinging Fly 2007) has to be the collection I would save if my bookcase caught fire. The stories are that extraordinary mixture of very funny, very thought-provoking, with the occasional clever whiplash of sadness. The overall effect for this reader was one of joy at finding such a vibrant, energetic, original  and wickedly sharp voice.

There are Little Kingdoms was awarded the 2007 Rooney Prize for Irish Literature.

That’s my choice of collection. But my favourite short story of all has to be ‘The Ledge’ by the American writer Lawrence Sargeant Hall. It is a deceptively simple story of a fisherman taking his son and nephew for a shooting trip on an exposed reef off the New England coast in winter. I must have read it twenty times, and still find it an extraordinary story. Unforgettable. It won the O Henry Award in 1960 and has been reprinted in over thirty anthologies, including The Best American Short Stories of the Century (Houghton Mifflin 2000 Ed: John Updike).

LISA: My favourite short story is ‘Brokeback Mountain’, which I will talk about more in my review of Close Range. The story is desperate, intense and emotionally very powerful. The idea that ‘if you can’t fix it you’ve got to stand it’ runs throughout ‘Brokeback Mountain’ and it pretty much sums up my own view of life. A real tearjerker of a short story, but one that leaves its mark.

My second favourite short story is D.H. Lawrence’s ‘Sun’ but I realise that it is rather unfashionable to like Lawrence these days, and yet I do. ‘Sun’ is a pretty odd story about a New York woman who skips over to the Mediterranean (leaving her husband behind) to take sun baths to improve her health. She spends most of the story wandering around the countryside naked, eating wonderful food and having profound thoughts about the sun. A really sensuous tale about a woman trying to figure out how to live.

DOVEGREYREADER: I envisage Elizabeth Baines hunched over a magnifying glass, the finest, most delicate of brushes in her hand, painting exquisite little miniatures, and there you have the essence of her short story collection Balancing on the Edge of the World published by Salt. Reading as an onlooker is such a treat and Elizabeth Baines positions the fulcrum of each story with absolute precision and then, with the most feather-weight whispers, proceeds to tip the balance of power first one way then the next. The whispers often so slight that I was often listening too loudly to hear them if that make sense.

Details jostle for attention from these myriad lives as you meet the humiliated wife who gets her revenge, the writer desperate for recognition, the confident and assured teenage boy about to be changed forever, the children of the divorcing parents, the depressed mother, the one page story that perfectly defines the dilemma of 21st century parenting and know that you will have met a great cross section of life today.

It is the microscopic quality of Elizabeth Baines’ eye that make each and every one of these stories so special.

MOIRA: I have on my bookshelf a fragile, foxed and battered paperback that I found in the early 1970s in a secondhand bookshop on a backstreet in Brighton, near the station, and just down from a surgical appliance shop. (It’s strange what you remember …). The original price sticker says 2/6: two shillings and sixpence, in pre-decimal currency. The price pencilled inside is 2p. The book is science-fiction writer Eric Frank Russell’s Far Stars. I bought it on a whim on my way to catch the train to London. I wanted something to read, it was cheap and it was short stories. Perfect.

Brian Aldiss once said that nobody rivalled Russell at his best – and this slim volume of six short stories pretty much makes his point for him. The stories are proof – if proof were needed – that real quality is timeless. Originally published in 1961, Far Stars has not aged, even though science fiction itself has moved on. That’s because although they are stories of spaceships, aliens and The Final Frontier, they are also stories of bureaucracy, humanity and love – told with humour, a sharp eye and – in one case – an extraordinary gentleness.

‘The Timeless Ones’ and ‘The Waitabits’ share a theme … they are both stories of races who prove to be unconquerable not because of ferocious resistance but simply because … they are unconquerable. I can’t say much more than that without giving the game away – except that the concept of ‘time’ comes into both of them.

‘Allamagoosa’ and ‘Diabologic’ are Russell at his wryly comic best … the former a wonderfully funny riff on the fear of bureaucracy and its potentially dire consequences.

‘Legwork’ is what happens when good, old-fashioned policing plods on its routine way and accidentally foils an alien invasion.

Last but not least … the one people either love or hate … ‘P.S.’. A young boy wins a competition. The prize is to correspond with an alien penpal, which he does for years upon years. Then, one day, as an elderly man, he discovers that his treasured friend, Gaily, is in fact a ‘stinking pile of fungus’ and not a ‘she’ at all, but an ‘it’.

The end of the story is never really in doubt, and the message – that it’s what’s inside that counts – is as old as time; but in Russell’s hands it’s a life-enhancing little tale, beautifully told.

I’ve returned to Far Stars over and over again since I first read it all those years ago. I’ve recommended it to countless friends – some of whom have even thanked me for it – and I’m recommending it to you now … whether you like science fiction or not.

LEENA: As Simon has already written about my all-time favourite short story writer, Katherine Mansfield, I can only echo what he says – except that my favourite collection would be Bliss and Other Stories, and if you ask me ‘Prelude’ and ‘At the Bay’ are the most beautiful, and ‘The Little Governess’ the most devastating short story ever.

But my official choice, then, is Edith Wharton. Not her ordinary short stories – even the famous ‘Roman Fever’ – but her weird tales and ghost stories. Some of these are genuinely scary, but even when they’re not, something about them makes them almost unbearably beautiful to me in a way that her novels (though I love them) are not. Even single descriptive passages stand out with a concentrated exquisiteness – for some reason, I’ve never been able to forget this seemingly unimportant passage from ‘The Duchess at Prayer’: ‘From the loggia, with its vanishing frescoes, I looked down an avenue barred by a ladder of cypress-shadows to the ducal escutcheon and mutilated vases of the gate. Flat noon lay on the gardens, on fountains, porticoes and grottoes. Below the terrace, where a chrome-colored lichen had sheeted the balustrade as with fine laminae of gold, vineyards stooped to the rich valley clasped in hills. The lower slopes were strewn with white villages like stars spangling a summer dusk; and beyond these, fold on fold of blue mountain, clear as gauze against the sky. The August air was lifeless, but it seemed light and vivifying after the atmosphere of the shrouded rooms through which I had been led. Their chill was on me and I hugged the sunshine.’

The tales are delicious as Sachertorte, where the beauty is chocolate, sadness is the orange juice, and the mystery the flour that holds it all together. If you’re tempted, take a bite of ‘Bewitched’.

15 comments on “Vulpine Favourites and More: Short Stories

  1. Simon T
    September 1, 2008

    What a fun idea, and what a wide-ranging selection of stories. I must go back and look up The Little Governess… Bliss is another brilliant story.

    Have to agree about The Loudest Sound and Nothing, too. My favourite short story writer of the last decade.

  2. Leena
    September 1, 2008

    I can’t believe I forgot Thomas Mann! His short fiction is wonderful, my favourites being ‘Tonio Kröger’ – which every writer (and aspiring writer) should read – and ‘The Blood of the Walsungs’… which is about a pair of twins who are a bit, er, too close. Unfortunately I can only find the e-texts for these in German.

    I also love Turgenev’s short fiction. Oh, and I also wanted to mention this lovely (and quite appropriate for VL) story – ‘My Daughter, the Fox’ by Jackie Kay:

    … in which the ‘fox’ part seems to be quite literal…

  3. Jackie
    September 1, 2008

    Wow, what an assortment. I’ve read some of these, but have obviously missed out on a lot of terrific stories, which I’m now eager to read. Katherine Mansfield, “Far Stars” & some others sound really intriguing. Obviously not the Wharton ghost stories, lol, though I do like her writing on non-scary subjects. This was a nice piece, Leena, a banquet of short stories!

  4. Moira
    September 2, 2008

    You know, it’s funny … but MY initial reaction to the news that we were dedicating a week to short stories was “Oh … that’s one I can sit out then” … because I thought I wasn’t a short story sort of person … Then I thought of Eric Frank Russell. Subsequently, I’ve thought of M R James and his ghost stories, O. Henry and his classics, Dorothy Parker and her funny/pointed/poignant tales …

    What IS this, some sort of cosmic mental block?

  5. Leena
    September 2, 2008

    ‘Cosmic mental block’ – yes! That’s what I meant in my comment just now, on Elaine’s post. (Bit difficult, having the same conversation in two places at once… ;))

    The nice thing about blogging about short stories is that you can offer a delicious link buffet of e-texts. Click away, people! Click away!

    Sheridan Le Fanu! Try ‘The Room in the Dragon Volant’:

    Villiers de L’Isle-Adam is also interesting:

    As is Vernon Lee:

    And just because it’s a shame to leave out Chekhov, here’s ‘The Duel’:

    I also find it interesting that many if not most of my favourite films are based on short stories… like Stefan Zweig’s ‘Letter from an Unknown Woman’, and Chekhov’s ‘Lady with a Lapdog’:

    Oh, and finally, a bit of eccentric weirdness and one of the funniest things I’ve ever read – ‘Nightmare Abbey’ by Thomas Love Peacock (though I suppose technically it’s a very short novella…):

  6. Leena
    September 2, 2008

    Karen Blixen/Isak Dinesen! How could I forget her??

    And E.T.A. Hoffmann. And Heinrich Von Kleist…

    No links to e-texts, though. Pity.

    Also, Tove Jansson wrote some wonderful stories – though my favourites haven’t been translated to English (yet)!

  7. RosyB
    September 2, 2008

    Seems to me that there must be some exclusive net stories too. Is there a difference in form between a short story for the net and a short story for the page?

  8. Leena
    September 2, 2008

    Actually, Jenn has promised to write a piece about online fiction for us! Should be fascinating. It won’t be this week, though – probably later on this month.

  9. Clare Wigfall
    September 2, 2008

    Honoured to find my book included on this list – thank you. You have a lovely site.

    For anyone who might be interested, there’s a story from the collection online. You can find it here: I think there might even be others on the web if you search, although personally I always think stories are better read on the page than a screen.

    For what it’s worth, here are just a few of my favourite short story writers who don’t yet appear to have received much mention in the discussion: J.D. Salinger, Alice Munro, Jhumpa Lahiri, Truman Capote, Claire Keegan, Raymond Carver, William Trevor – they’re all wonderful!

  10. rosyb
    September 2, 2008

    Ok, well just to prove I’m not a total short story ignoramus…;)

    I found, in fact, when I went to the Edinburgh Book Festival last year that the events I enjoyed most were short story events. I really do enjoy sitting and listening to someone reading me a story – more than reading one myself. The one that really sticks in my head is Laura Hird’s “Meat” from “Hope and Other Urban Tales”. This was a brilliant brilliant story and quite unlike any short story I’ve encountered before. It is about a father/son relationship and the incident is when they hit a sheep on the road. I can’t explain more but it was extremely powerful and visceral and yet subtle and emotional too.

    So there! My contribution!

  11. Elizabeth
    September 2, 2008

    I’m honoured to have featured on this great site, too! Can’t be sure my stories live up to DGR’s praise, but if you felt like checking them out there are 2 online at,title&page=1&type_ind=stories.

    I’d add Junot Diaz, Anne Enright, Ali Smith and AL Kennedy to the list – all brilliant and punchy, none of them anywhere near Elaine’s ‘exquisite vignettes’ (I think that’s the phrase she uses on the other thread)!

  12. Leena
    September 2, 2008

    Thank you for chiming in, Clare and Elizabeth! And for giving links to your own stories – I tried to search for them as I was compiling this, but had no luck (and obviously wasn’t looking closely enough!)…

    Jhumpa Lahiri is in my pile just now – I loved her novel The Namesake, and I keep hearing her short fiction is even better. I must be in for a treat.

  13. Stewart
    September 3, 2008

    I pondered over whether to mention Richard Yates’ short story collections – Eleven Kinds Of Loneliness and Liars In Love – and decided I should, even if I’ve not read all of them.

    In thinking of interesting things done with short story collections a few spring to mind: Winesburg, Ohio by Sherwood Anderson, which deals with events in a small town, and The Pastures Of Heaven by John Steinbeck, where the stories are interconnected. There’s no doubt more interesting things done, but what they are….well…I don’t know.

  14. Colin Matthew
    September 4, 2008

    I really enjoyed Max Barry’s short story that he posted on his site.

  15. Juxtabook
    September 4, 2008

    Like Simon, I love Katherine Mansfield though I hadn’t read any for over a decade. I was prompted to return to her by C B James’ Short Story September you can read about the challenge after the review he posts first.

    My favourite KM is Bliss in “Bliss and Other Stories”, and I am about to post a review of it on Juxtabook!

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This entry was posted on September 1, 2008 by in Fiction: general, Fiction: literary, Fiction: science fiction, Fiction: short stories and tagged .



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