Vulpes Libris

A collective of bibliophiles talking about books. Book Fox (vulpes libris): small bibliovorous mammal of overactive imagination and uncommonly large bookshop expenses. Habitat: anywhere the rustle of pages can be heard.

Maps for Lost Lovers by Nadeem Aslam

maps Reading this book is like reading poetry. It is written in prose, yes, but prose worthy of Nabokov. There is a mystery at the center of the story, but this isn’t one to rush through to see whodunnit. With sentences filled with musical phrases such as “the xylophone jetty“ and “soft antlers of smoke rising from incense sticks”, it’s to be savored as a banquet.
Set in a community of Pakistani immigrants in England, we only know the town as Dasht-e-Tanhaii, (“the Desert of Loneliness”) . A young couple, Chandra and Jugnur, have disappeared and this mystery hovers at the edge of everything that happens. Next door is Jugnur’s brother, Shamas, a poet and community activist and his wife, Kaukab, who is religious to the point of rigidity. She has a thorny relationship with their grown children, who live elsewhere. A newly divorced woman, Suraya, arrives in town and becomes enmeshed in things. All of the personalities are distinct and expressively drawn. The entanglements are unrolled as a rich tapestry over a year between one snowy day and another.
This is a feminist novel written by a man and a book critical of Islam written by a Muslim. “It‘s as though Allah forgot there was women in the world when he made some of his laws, thinking only of men…”, one character says. Religious behavior is a central theme, but is not obviously commented upon, rather, Aslam lets events speak for themselves. Some of the incidents were shocking to me.
The immigrants are suspended between two worlds and the struggle to reconcile them felt fresh. I was pleased to learn new things, such as that Muslim angels are dressed in silk, brocade and turbans and have multi-colored wings. There was exotic food, peacocks in houses and enough butterflies to please Gabriel Garcia Marquez. Everything was described with such lyricism, that my emotions were heightened. The book would have been powerful in any case, describing what to most of us is a very unfamiliar culture and some frightening events. But the beauty of the language and the unfolding layers made it one of the most unforgettable novels I have ever read.

Knopf 2004 379 pp. ISBN 1-4000-4242-9

5 comments on “Maps for Lost Lovers by Nadeem Aslam

  1. asad123
    September 14, 2009

    I’ve read Nadeem Aslam’s “The Wasted Vigil” which discusses a relationship between an Englishman and an Afghan woman in Afghanistan under the Taliban. You’re right about the poetic quality of his prose. I disagree with the sentiment that Allah made laws that discriminate against men. But I don’t think you have to completely agree with an author to enjoy his or her work.

    http://asad123.wordpress.com

  2. Lisa
    September 15, 2009

    I haven’t heard of this book, Jackie, but from your description it sounds incredible. I’m off to the library this weekend, so will look out for Maps For Lost Lovers & order it in if they don’t have it.

  3. Nikki
    September 19, 2009

    Short and sweet, but put this book on my library list! I like the idea of poetical prose, I’m a sucker for a beautiful line and sounds like this book is full of them!

  4. Claire
    July 10, 2012

    “I disagree with the sentiment that Allah made laws that discriminate against men.”

    If you re-read the quote the sentiment is actually claiming that Allah made laws that discriminate against women. Also, this is what a character is claiming, this is not what the author himself necessarily believes himself.

  5. I agree this book is very poetic, sharing my review of the book: http://www.anureviews.com/maps-for-lost-lovers-by-nadeem-aslam/

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This entry was posted on September 14, 2009 by in Entries by Jackie, Fiction: 21st Century, Fiction: literary, fiction: mystery and tagged , , , .

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  • (The header image is from Aesop's Fables, illustrated by Francis Barlow (1666), and appears courtesy of the Digital and Multimedia Center at the Michigan State University Libraries.)
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