A collective of bibliophiles talking about books. Book Fox (vulpes libris): small bibliovorous mammal of overactive imagination and uncommonly large bookshop expenses. Habitat: anywhere the rustle of pages can be heard.
We thought you might like to know a little more about the people behind the site, so we will be running a series of short interviews with the foxes starting a few weeks from now. For today, a special farewell interview with site founder Leena, who is sadly leaving Vulpes a year on.
Well, of course, I think everyone would like to know about the genesis of Vulpes Libris!
I’ve had something of a love-hate relationship with blogs since I heard about them: I just couldn’t decide whether it was a brilliant medium or a completely pointless one. On the one hand, I loved Marie Phillips’s ‘Struggling Author’ blog – nowadays ‘The Woman Who Talked Too Much’ - and wished I could write something like it… but I knew that wasn’t for me, even if I had half her sense of humour.
So a less personal book blog seemed ideal, especially as I’d always wanted to write book reviews anyway. But after a few months I realised I couldn’t do that on my own – so I emailed a few lovely friends, people liked the idea, and here we are now. The thing is, there’s no point in having a blog of any kind unless it’s updated often and you can maintain a certain pace – and in my experience it’s almost impossible for a solo blogger. I don’t know how they do it and find time to read.
What brought you to book reviewing?
I’m not sure. It was, quite simply, something I wanted to learn. (Not sure I have, yet!) And I always tried to keep a reading journal without ever quite managing it. Now I’ve got the hang of that.
That’s something that intrigues me, by the way – the difference between your private response to literature and your public one. There’s certainly a big difference between the things I jot down in my little notebook and what I’ve written here.
In the sense that your public response necessarily has to be… well, not edited as such, but presented differently?
That, too. But there’s also that you begin to read differently: you seek out details you can elaborate on, you watch out for themes you can discuss. I’m not sure it’s an altogether positive thing. In a way, doesn’t it encourage stock responses to literature? I don’t mean that your response is too ordinary or unimaginative – if it’s an honest response, it can never be that – but more like reading a book for a feminist lit-crit course: you force it into a mould. There are typical ‘book club’ books, and I suppose there are typical ‘book blog books’ too. The kind that give you something, anything, to talk about. That isn’t necessarily synonymous with a great book. In short, if I had to read every book with a review in mind, I think I’d lose a great deal of the pleasure I take in reading.
I entirely understand! I suppose there is also the risk that reviews can become formulaic once you start thinking about what you should address, what other people have said, what other people may expect to read…
Yes – but there’s also the danger of trying too hard not to say what others have already said! I read this piece about clichés in book reviewing, and it made me realise – if I started worrying about all that, I would have nothing left to say at all. Better be honest and full of clichés than afraid of words.
Oh my. I am guilty of using compelling a lot.
Compelling is a good word! There shouldn’t be anything wrong with using it. I suppose the trick is to recognise when you’re only calling something ‘compelling’ or ‘poignant’ or ‘thought-provoking’ because it’s the easy thing to say. But sometimes it’s just the right thing to say.
Now for a really tricky question. Do you have a favourite book or books that you have reviewed for VL?
Are these the books you most enjoyed reviewing, or the books you most enjoyed reading?
Death and the Maidens and Secresy were both – but in the case of Finding Cassie Crazy, I had a hard time writing about it. The book was a sheer delight from start to finish, but I didn’t know how to stretch that ‘sheer delight’ into 500-1,000 words…
And I thought it was just me that found good reviews harder to write!
No, it’s not just you! There are only so many ways to say ‘I loved this’.
And only so many ways to say it well, at that. So what’s in the future for Leena Heino?
Hmm… lots of writing and reading, I hope! I’ve got too many ideas for my own good and more enthusiasm than is healthy, so who knows how anything turns out.
I am, however, planning to win Wimbledon next year, direct a film, and hopefully save the planet from global warming.
We always ask this… please recommend five books!
1. Scoop (1938) by Evelyn Waugh. The perfect comic novel, if you ask me – perfect pacing, perfect comic timing, perfect prose, perfect everything. There’s a civil war - of sorts – going on in a fictional African country, and an obscure nature writer is accidentally sent to cover it as a star reporter. When you’ve got a known xenophobe writing a book like this in the 1930s, you are (or at least I was) constantly on the lookout for cringe-making racist moments, but among its other amazingness, Scoop is quite remarkable for its equal-opportunity fun-poking. Though if you’re an irritable Swede - caution advised…
2. Camilla (1796) by Fanny Burney. I wavered between two choices because I actually think Cecilia is Burney’s masterpiece, but Camilla is my personal favourite. On the surface it looks like your typical courtship novel and comedy of manners, but as you read on the book gradually morphs into a bizarre psychological (and distinctly feminist) nightmare with plenty of farcical humour thrown in. It’s definitely a love-it-or-hate-it type of book, if only because of its extreme length. But it’s funny and strange and has one of the most romantic scenes I’ve ever read… albeit between two minor characters.
3. Jerusalem (1902) by Selma Lagerlöf. A wave of religious enthusiasm sweeps over a Swedish village, and the affected leave their friends and families behind to start a commune in the Holy City. One young man goes after them to fetch his beloved back – though he’s already been forced into a marriage of convenience, himself. This description does no justice to the novel: it’s beautiful and wise without being sentimental in the least. The book seems to be available in translation – multiple translations, even – but I’ve never read it in English so I can’t vouch for their quality. The writing is so lyrical (oh, no! clichés again) that a bad translation would really spoil the book.
4. The Idiot (1896) by Fyodor Dostoyevsky. Not perfect as a novel by any means, but still one of the books that have touched me most. Plus I’d like to marry Prince Myshkin… though I suppose there are enough women in the novel wanting to marry him as it is.
5. I couldn’t decide on one last book so I thought I’d mention two half-great new novels I’ve read recently, to make up one great novel. (See? Cunning.) One would be Melissa Marr’s Wicked Lovely, a quite wicked and lovely YA novel about a girl who discovers she’s been chosen by a fairy king to be his Summer Queen – but she can’t think of anything she’d want less. (See a more detailed review here.)
The other one is An Accomplished Woman by Jude Morgan, which nods at Austen’s Emma and Georgette Heyer, but still manages to do its own thing with delightful dialogue, wonderful characters, and the kind of convincing period detail that doesn’t feel like ‘period detail’ at all. Both books were slightly disappointing in having rushed endings, but I’d been having so much fun with them till then that I could easily forgive those.
Thank you Leena, and I hope you will keep in touch with us here at Vulpes Libris.